KAPRIOT LIVES ONLY THREE TIMES.
KAPRIOT LIVES ONLY THREE TIMES.
The Berlin festival about the future of cinema and the world.
Valery KICHIN
On potsdamerplats squealed. Thousand teenagers,
Having condensed to a limit, squalled in expectation of the idol - Leonardo
Dee Kaprio which has arrived on the festival premiere of the new tape
"Coast". All these days kaprioty-leomany besieged festival, having finished
The calls to stress poor thing Meleke Bemme who was responsible for reception
Guests of honour. The star at last has arrived in a long black limousine, and
Enthusiastic howl has reached apogee. To a star all hands lasted, over
Heads portraits, and around trembled, cutting crowd the sharp
Glass noses, slowly splyvalis titaniki skyscrapers. One of
Local tabloids has promised the award in one thousand stamps that brave, which
Will contrive to kiss Leonardo on red rug Berlinale and in
The proof will show a photo. But the star to kiss did not become, and
Only has waved with a hand and has proceeded in a hall of press conferences, where
Journalists already sat, stood, laid on a floor and hung under a ceiling;
They looked in windows and have stuck round telemonitors where there was a translation.
The star kept modestly. But in its light nobody has noticed the director
Denni Boyle and other human trifle working on a film. And
In vain Moritz de Hadeln, director Berlinale, reminded, what is it
Press conference not an idol, and a film, - nobody has thrown on the come
Sight. Morals: to remove stars to itself is more expensive - dangerously for own
Glories.
"I can make nothing with it, - have told in such occasion of Dee Kaprio.
- The image of an idol exists irrespective of me, and I try to be from it
Far away. It is a unique way to remain the person and the actor ".
He has really tried to become again the actor in this "Coast", where
Its hero, having got tired of computer fights, wishes to go through something sharp
Already in a life. Also begins cinema about children new, kaprioticheskogo
Generations. It is removed in Thailand, landscapes are fantastic, foreshortenings
Are dizzy and became separate impression of a film. Leonardo
Jumps from a rock in the sea, looks in steel eyes of sharks, creeps on
To tracks of jungle, as a flexible fine small animal. Swallows of worms and frightens
Monkeys. He here has tried to become also the comedy actor, successfully
Playing passion and horror of the teenager-overage which in any way will not believe, that
It any more entertainment. There are dead persons, and not to understand, where comes to an end
The reality also begins a dream, delirium, hallucination. Or, that the same,
One more video game, in which Dee Kaprio vigorously marches, dispersing
kusachih monsters and reviving again and again. At it in a stock two more lives.
But as will bite in third time, so game over.
The mysterious map received from the mysterious person. Mysterious
Island among an azure. Romantic travel to paradise turns around
Hell. Not simply so, and with sense. Authors are occupied with psychology of weights,
Incapable to distinguish the monitor from a reality. In the ending contours of the terrestrial
Continents, where inside a web of microcircuits.
On all canons this not festival cinema. Festivals are not interested
Commercial mainstream. But already on first viewings Berlinale it is possible
To guess obvious change of priorities. The Berlin festival earlier
Others has scented revolution becoming ripe at cinema. Technological explosion
Has turned human consciousness, having put people in the face of earlier
Impossible problems - self-determination in the new semivirtual world.
Technologies have shaken also bases of the cinema - have offered a reality where
Brighter. The cinema was rolled away in own childhood and with enthusiasm
Will test new mechanisms of research of the person.
Once spectators were amazed with movement on the screen. To it for a long time
Have got used. Has then shaken speaking cinema - it now too not
Wonder. Each time of the technician returned to its cinema the first-born
Attraction status, and then it passed the same ways of development, but already
On a new coil of a spiral - armed with the next technical miracle. So
And modern scope of the screen where the image is ideally beautiful, and
The sound environment washes you from different directions, on eyes gives rise
Separate and almost self-sufficient branch of an aesthetics. In this surroundings
It is possible to return to simple and clear histories which so grasped
Mankind in the middle of the century and with which all last years successfully
Innovators struggled.
Therefore display of "Talented Mr. Ripli" Anthony Mingelly any more did not become
Surprise. It has continued building of the new concept of this festival
And, probably, all art in a coming century.
It is the new film version of the novel Patricians Hajsmit (the first - "Under bright
The sun "- has made in 60 Frenchman Ren Kleman). Now Alain Delon
Mett Damon has replaced - he plays the American of Volume who spends time
In Italy in the company of young rake Dikki and its bride Mardzhi. They
Travel, enjoy yachts and love, go to jazz clubs. Between
Guys fasten ardent friendship, once there is even a similarity
Sexual gravitation, but the Volume soon ostochertevaet Dikki, seems to it
Annoying as a bloodsucker. There is a conflict and a chain of bloody events, where
That should play leading roles. From them the most fascinating -
To put on another's skin. To take another's name, another's money and another's habits.
Imposture epidemic about which Alexander Proshkin spoke as about
Especially Russian phenomenon, it has appeared global. A fascinating thriller
Became research of vibrating modern character -
Individualities are washed away, people are similar to chameleons and (besides!)
Live in half thought up world. psihopatija Volumes actually -
Consequence all the same fascinating life-game where problems act in film
Simply: their source is eliminated. And only in a scene of duel from an opera
"Evgenie Onegin" where our heroes go, intellectually
Talking about Russian baritone (so!) Feodor Shalyapin, on the left eye of Volume
navorachivaetsja avaricious tear. Our liking on its party - it
To feel is able.
The film from Hong Kong of "an island Fairy tale" is refined, as the Japanese court yard.
The image phosphoresces, flickers, appears through people through. People
- These are two pairs: two women and two guys. Floors in a film rigidly
Are divided, each other are not necessary and almost to the ending are not crossed. As
And in a film "Coast", heroes are placed on the isolated island, where
Epidemic flashes and quarantine, - they in a trap is established. As well as in
"Coast", borders between a reality and virtuality are washed away to
Impalpabilities, also it is impossible to guess, what of events "vzapravdu". And it is exact
As in the ending there is an image of the computer - coherent between two
The parallel worlds. We live in both, and one props up another.
Over both patrol disturbing helicopters. People indefatigably create these
The worlds-skorlupki also try to be rescued there. Leaving from a life - too
Creation of the world and way to leave from obrydloj routines.
If to notice, that the parallel worlds arose also in a film of the German
Wim Vendersa "Hotel" One million dollars "and to some extent - in
Film of Frenchman Dzhonatana Nossitera "Signs and miracles", idea
Becomes persuasive. Mertsatelnost existence, dispute of two
Realities for superiority, the person, incapable to behold itself
The present, - here with this nice complex, according to outlined
Festival dramatic art, we enter into a new century. And now films
Investigates adventures of the spirit which has lost the way between two worlds. But
Adventures - a genre commercial. Meditating innovators suddenly
Became an anachronism, yesterday's traditsionalisty look
vperedsmotrjashchimi - more and more realising this fact, enters into a new century and
Cinema.
"News" 2000.02.15
//* an information Source: п п п п я я п?п?п?i п iя я i, 15.02.00
//* Reg. Nom. - 1100200156.77-------------------------------------------
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